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DC-96B Title


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The Milab mics really shined the brightest on stringed instruments. On an acoustic guitar, I placed the DC-96B at about the 12th fret and the DC-96C on the body between the sound hole and the bridge. Both of the mics were about a foot away from the guitar. These mics picked up the body and depth of the soul of the instrument beautifully. They captured the high end pick and string attack very accurately, without being too harsh. The low end that the Milabs capture is absolutely stunning as well. There were moments where I couldn’t believe how richly the mic captured the bass of the guitar.

In my book, the Milab DC-96B and DC-96C are little champs. They performed very well on a number of sources, qualifying them to be studio workhorse mics. They definitely are good contenders for any mic closet that need a little bit of something special when it comes to acoustic instruments.


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Recording Hacks (USA)
www.recordinghacks.com
This is one of those rare reviews where I can start by saying that these mics will work on anything... period.

The DC-96B is one of the most balanced overhead or, better yet, mono front-of-kit mics I have heard, and gave me one of the rare times I will say "needed little to no eq" when mixed in with the rest of the drum mics.

There are a lot of great mics out there, and as a reviewer I have had the opportunity to play with a lot of them over the years. Every now and then a mic crosses my path that really turns my head and frankly blows me away. The DC-96B and C are just such mics... just scary good on everything.


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Recording Magazine (USA)
www.recordingmag.com
 
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VM-44 SYSTEM
 
LARGE MEMBRANE
 
HAND HELDS
 
DRUM MICS
 
SURROUND SYSTEM
 
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